I hadn't realised until this last year that many historical novelists don't have even a nodding acquaintance with the world of horses. While to me it's very easy to visualise how the world looked and behaved when only horses were the fastest means of transport, clearly this aspect of life is - ehem - a closed book for many writers.
I had also forgotten that I have been collecting equine trivia from across history since I first created the Fell Pony Museum web site back in 2000. It's been up there on t'interweb for 13 years, waving gently at passers-by, but not making a nuisance of itself. You can Google "Fell pony history" and the Museum site will appear in the first half-dozen entries on page 1 (and: I manage two of the other sites that are up in that bracket!).
Since the concept of pedigree farm animal breeds didn't emerge in England till the 19th century, much of what I've recorded in the Museum site is generic British pony (horse) information. By definition, "Fell pony history" is not really available before then, but a good deal of information can be found about the animals who were of similar size, use and geographical distribution. So, when questions of colour, type, size, use and behaviour arise among my fellow authors, this site is a useful resource. There is a also long list of links to further reading.
This blog, Jackdaw E Books, also has several posts about horse use, and coaches and carriages, which could save much writerly embarrassment at the book reviewing stage!
Search for posts labelled:
"horse"
"carriage driving"
"coaching era"
"bluffer's guide"
MM Bennetts' Literary Historical Fiction blog and Jonathan Hopkins' Cavalry Tales blog frequently offer terrific insights into the world of horse usage. Both are riders and Jonathan is a professional saddle fitter.
~~~~~~~~~~~~~~~~~~~~~~~~~
Sue Millard is the author of several equestrian books including Hoofprints in Eden, Coachman and One Fell Swoop, and two children's educational activity books, Fell Facts and Fell Fun.
Sue Millard - Jackdaw E Books. Horses, history and humour (not necessarily in that order) and general witterings; some vaguely literary, mostly rural. I live in Cumbria in Northern England.
Showing posts with label bluffer's guide. Show all posts
Showing posts with label bluffer's guide. Show all posts
Monday, June 17, 2013
Wednesday, October 3, 2012
Video links about English coaching and driving (Bluffers' guide part 3)
http://www.youtube.com/watch?v=IaJtV2KGt_Q
The Bowman and Sutherland families - preview of the TV programmes recently on Sky. The Sutherlands do chuck-wagon racing, the Bowmans do Horse Driving Trials and Coaching; they had a go at each other's sports. The English section starts at 6 mins 11 seconds. This is a late 19th C stage coach (not a Mail) with hand-lever brakes operated both by driver and guard. Notice the horses are in full neck collars, unlike the breast collars that are popular for modern competitions.
If you're quick you can spot me and my daughter at 8:39 and 9:04 (we were in costume, though I admit NOT with any degree of accuracy) on the coach at Naworth Castle. We were aboard during the gallop up the hill to Naworth (black and grey lead-horses).
http://www.youtube.com/watch?feature=endscreen&NR=1&v=Zd3QWAfxZT4 and http://www.youtube.com/watch?v=RlEIEhAjGrc&feature=channel&list=UL - One of my mare's early driving show classes. Notice that my carriage is well balanced and well built so it makes very little noise over the grass, and you can hear Ruby breathing in rhythm to her movement. Other people's carriages are much more noisy.
http://www.youtube.com/watch?v=V9UoLR0g3FA&feature=relmfu - a little schooling at home with my late grand-daughter Naomi.
http://www.youtube.com/watch?v=6WoEtzCgJdo - this is a curricle, albeit shown in Spain, not in England. To be totally correct as a privately driven vehicle it should have straps from the horses' collars, not chains, to the head of the pole out front. Notice how the weight of the groom behind is needed to make the turnout balance over the axle. You can't drive one without a groom back there.
And for stylish pure English driving and rein handling: http://www.youtube.com/watch?v=BgZnOB_1G5Q The carriage parade for Trooping the Colour 2012.
http://www.jackdawebooks.co.uk/coachman.htm
The Bowman and Sutherland families - preview of the TV programmes recently on Sky. The Sutherlands do chuck-wagon racing, the Bowmans do Horse Driving Trials and Coaching; they had a go at each other's sports. The English section starts at 6 mins 11 seconds. This is a late 19th C stage coach (not a Mail) with hand-lever brakes operated both by driver and guard. Notice the horses are in full neck collars, unlike the breast collars that are popular for modern competitions.
If you're quick you can spot me and my daughter at 8:39 and 9:04 (we were in costume, though I admit NOT with any degree of accuracy) on the coach at Naworth Castle. We were aboard during the gallop up the hill to Naworth (black and grey lead-horses).
http://www.youtube.com/watch?feature=endscreen&NR=1&v=Zd3QWAfxZT4 and http://www.youtube.com/watch?v=RlEIEhAjGrc&feature=channel&list=UL - One of my mare's early driving show classes. Notice that my carriage is well balanced and well built so it makes very little noise over the grass, and you can hear Ruby breathing in rhythm to her movement. Other people's carriages are much more noisy.
http://www.youtube.com/watch?v=V9UoLR0g3FA&feature=relmfu - a little schooling at home with my late grand-daughter Naomi.
http://www.youtube.com/watch?v=6WoEtzCgJdo - this is a curricle, albeit shown in Spain, not in England. To be totally correct as a privately driven vehicle it should have straps from the horses' collars, not chains, to the head of the pole out front. Notice how the weight of the groom behind is needed to make the turnout balance over the axle. You can't drive one without a groom back there.
And for stylish pure English driving and rein handling: http://www.youtube.com/watch?v=BgZnOB_1G5Q The carriage parade for Trooping the Colour 2012.
http://www.jackdawebooks.co.uk/coachman.htm
Tuesday, October 2, 2012
The Bluffers' Guide to Horses and Carriages (part 2)
Coaches
Tudor
In the TV series "The Tudors" 19th century carriages were shown conveying certain grand personages about on behalf of Henry VIII. WRONG. This was the point at which I began to shout at the screen. Coaches were not in use even by Royalty until his daughter Elizabeth I's reign, and they were uncomfortable, jolting unsprung things suspended on leather braces. Elizabeth complained of being badly bruised from being thrown about in a coach that had been driven too fast, and she was a fairly hardy lady. There was no glass in the windows at this time (guess why) and wheels were shod with iron rims.
17th Century
Lots of authors forget that in a city, it was often convenient to travel in a sedan chair. Of course it didn't allow of company unless on foot, on horseback or in another sedan chair, but it had a lot of advantages over a horsedrawn carriage in the city. It was narrow and manoeuvrable so it could take you to places many carriages could not go, and the motive power understood speech! Also, in London and other cities based on a major river, watermen provided a taxi service up, down or across the water. John Taylor the "Water Poet" complained in "The World Runs On Wheels" that hackney carriages were taking away the ferrymen's business.
Steel springs made an appearance in the 1660s, and Sam Pepys remarked on them on a coach in London. He bought himself a private 4 seater carriage and two black horses, and probably employed a man to drive; and he seems to have been happy with his purchase, despite having to pay £2 to replace the glass in a window.
Commercial coaches were starting to appear on the roads. These were "stage" coaches which changed horses at inns along the road. One "stage" of its journey would be anything from 8 to 15 miles depending on the nature of the terrain. In winter, warmth for the passengers' feet was provided by filling the floor with straw - it works, but could be infested with livestock ranging from woodlice to fleas and even mice, depending on the diligence of the stable staff in providing clean straw.
18th Century
By 1688, stage coaches ran from London to 88 different towns and by 1705 this increased to 180. However, Mail coaches were not seen until after the Post Office adopted John Palmer's suggestion to convey letters by coach instead of on horseback, following a successful experimental run from Bristol to London in 1784.
Smart light two wheeled vehicles for private use, such as gigs and dog carts, became popular from the 1800s onward. Four wheelers such as the various forms of phaeton were common. But for independence and access to open country, to make your own way to a destination, you rode - and were liked all the better for your active character, as opposed to being carried lazily about by carriage.
As for the curricle, that vehicle so beloved of the romance author, like a tandem of horses driven to a gig it was racy and showy and difficult and inherently unsafe... so beware which of your gentlemen you put at the reins. It was an owner-driven carriage. (I mean, you don't buy a Ferrari and let a chauffeur drive.) And don't forget that with a pair or team your whip, no matter how skilful, needs a groom behind him. Why? Common sense and safety... and the blasted curricle wouldn't balance without him.
Manpower and brakes
A gentleman driving his own carriage and four would have had one man, and more likely two, to see to tangles or mishaps with the horses. In Regency Buck, the hero tells off the heroine for driving his team with no groom to help her, because her passenger has an injured arm. Georgette Heyer knew her stuff.
Not even an exceptional "whip" - male or female - would ever have driven without a servant, because early coaches and carriages had no brakes. Down gentle inclines the horses could hold the carriage back with the harness, but on steeper ones the footman or guard got down and fitted an iron drag shoe under the gutter-side hind wheel. At the bottom of the hill, he got down again, the whip backed the team so the carriage wheel rolled off the shoe, and the guard picked it up by its chain and hung it on the hook again - not touching it, because it was hot from the friction! The guard or groom had to deal with broken harness, kicking horses and so on... or just to hold the horses when the driver and passengers got down at their destination.
19th Century
Hand or foot operated brakes were late Victorian inventions which eased the work because the coach did not have to stop. They could still only slow the coach downhill; when loaded it weighed between 3 and 4 tons and the wooden brake shoes only operated on a 6 inch by 2 inch area of each wheel rim, so brakes couldn't stop it completely. Equally, rubber tyres for wheels were not invented till the 19th century, and they were solid, not pneumatic. Vehicles with rubber tyres tended not to have brake-blocks because they pulled the rubber off the wheels.
The idea of a "parking" brake didn't arrive until the advent of the internal combustion engine... a carriage you could turn off when you stopped. There are contemporary stories of coach teams being left unattended at inns, and taking fright or assuming a noise behind meant they were to start, galloping off with the coach with no driver at the reins... Horses require manpower, time and knowledge. Therefore - pretty please, authors - your characters driving a carriage can NOT abandon it at the roadside like a car, unless you want to plot a horrendous accident. You always need someone to take charge of the horses.
Terminology
If you've got to describe a carriage drive or even a ride, it probably pays not to be too clever. Even simple things are very easily got wrong! For instance, you all know reins are for steering, and probably that traces come back from the horses' neck-collars to pull the carriage... the difference between the two purposes may seem obvious, but I've seen a mainstream published novel confuse the two.
Coachmen and good drivers held the reins in their left hand in an understated, workmanlike English coaching style and steered by turning the wrist, or by helping with their right hand which also carried the whip. They wouldn't drive with a rein (or two reins) in each hand; not unless you want to set them up to be ridiculed by their fellow drivers. For sheer style, watch any video of a British Royal parade with coachman driven carriages... the 2011 Royal wedding, or Trooping the Colour.
There is a big difference between sporty owner-driven carriages like phaetons (yes, and gigs and curricles), and sober coachman-driven carriages like barouches. It's very easy to get lost in their subtleties. For instance: pole chains. They were used to steer and stop commercial coaches, carriages and coachman driven vehicles, while pole straps denoted owner driven private vehicles... Probably best not to go into it too deeply unless you are prepared to read specialist books. Even the sainted Ms Heyer occasionally got things wrong.
Phew - I'd better leave waggons and farm carts and commercial trade carts for another day.
Sex
There, that got your attention, didn't it? I saved the best bits for the end.
Don't forget we have three genders in horses who are used as transport. There's the intact adult male, the stallion; the female, the mare; and the gelding, who is an equine eunuch and was probably "attended to" fairly brutally at the age of 18 months or so. Most working horses were geldings, whose lack of sexual interest made them easy to manage even for inexperienced staff.
Mares are the natural leaders in a herd situation - so they can be bossy. If they aren't in foal they come into "season" every three weeks from early spring to late summer, which means they may be distracted as well. Stallions have a sex-drive that rises and falls with time of year - up in early spring and throughout the summer, down again as autumn comes. To deal with either stallions or mares successfully takes tact and good horsemanship. So please don't have your heroine ride a stallion, unless you can also write about how she manages him in the company of strange mares, who will flirt by peeing at him if they're in season and try to kick his teeth in if they aren't. (Don't you love how horses can be upfront and obvious? My two favourite Fell ponies have been mares.)
In Black Beauty Anna Sewell tactfully fails to mention such matters, so generations of readers may well have assumed that Beauty's lack of sexual commentary simply meant that he had excellent manners, and that he was capable of retiring to stud and begetting. This is, sadly, very unlikely.
One final note
A horse in war, in a carriage, hunting or doing any other kind of work will NOT neigh or whinny when in a stressful situation - eg, battle or accident. You may hear a snort of fright, or a grunt of pain or effort, then the sound of hooves galloping rapidly away. Unlike movie heroines, horses do not scream.
Tudor
In the TV series "The Tudors" 19th century carriages were shown conveying certain grand personages about on behalf of Henry VIII. WRONG. This was the point at which I began to shout at the screen. Coaches were not in use even by Royalty until his daughter Elizabeth I's reign, and they were uncomfortable, jolting unsprung things suspended on leather braces. Elizabeth complained of being badly bruised from being thrown about in a coach that had been driven too fast, and she was a fairly hardy lady. There was no glass in the windows at this time (guess why) and wheels were shod with iron rims.
17th Century
Lots of authors forget that in a city, it was often convenient to travel in a sedan chair. Of course it didn't allow of company unless on foot, on horseback or in another sedan chair, but it had a lot of advantages over a horsedrawn carriage in the city. It was narrow and manoeuvrable so it could take you to places many carriages could not go, and the motive power understood speech! Also, in London and other cities based on a major river, watermen provided a taxi service up, down or across the water. John Taylor the "Water Poet" complained in "The World Runs On Wheels" that hackney carriages were taking away the ferrymen's business.
Steel springs made an appearance in the 1660s, and Sam Pepys remarked on them on a coach in London. He bought himself a private 4 seater carriage and two black horses, and probably employed a man to drive; and he seems to have been happy with his purchase, despite having to pay £2 to replace the glass in a window.
Commercial coaches were starting to appear on the roads. These were "stage" coaches which changed horses at inns along the road. One "stage" of its journey would be anything from 8 to 15 miles depending on the nature of the terrain. In winter, warmth for the passengers' feet was provided by filling the floor with straw - it works, but could be infested with livestock ranging from woodlice to fleas and even mice, depending on the diligence of the stable staff in providing clean straw.
18th Century
By 1688, stage coaches ran from London to 88 different towns and by 1705 this increased to 180. However, Mail coaches were not seen until after the Post Office adopted John Palmer's suggestion to convey letters by coach instead of on horseback, following a successful experimental run from Bristol to London in 1784.
Smart light two wheeled vehicles for private use, such as gigs and dog carts, became popular from the 1800s onward. Four wheelers such as the various forms of phaeton were common. But for independence and access to open country, to make your own way to a destination, you rode - and were liked all the better for your active character, as opposed to being carried lazily about by carriage.
As for the curricle, that vehicle so beloved of the romance author, like a tandem of horses driven to a gig it was racy and showy and difficult and inherently unsafe... so beware which of your gentlemen you put at the reins. It was an owner-driven carriage. (I mean, you don't buy a Ferrari and let a chauffeur drive.) And don't forget that with a pair or team your whip, no matter how skilful, needs a groom behind him. Why? Common sense and safety... and the blasted curricle wouldn't balance without him.
Manpower and brakes
A gentleman driving his own carriage and four would have had one man, and more likely two, to see to tangles or mishaps with the horses. In Regency Buck, the hero tells off the heroine for driving his team with no groom to help her, because her passenger has an injured arm. Georgette Heyer knew her stuff.
Not even an exceptional "whip" - male or female - would ever have driven without a servant, because early coaches and carriages had no brakes. Down gentle inclines the horses could hold the carriage back with the harness, but on steeper ones the footman or guard got down and fitted an iron drag shoe under the gutter-side hind wheel. At the bottom of the hill, he got down again, the whip backed the team so the carriage wheel rolled off the shoe, and the guard picked it up by its chain and hung it on the hook again - not touching it, because it was hot from the friction! The guard or groom had to deal with broken harness, kicking horses and so on... or just to hold the horses when the driver and passengers got down at their destination.
19th Century
Hand or foot operated brakes were late Victorian inventions which eased the work because the coach did not have to stop. They could still only slow the coach downhill; when loaded it weighed between 3 and 4 tons and the wooden brake shoes only operated on a 6 inch by 2 inch area of each wheel rim, so brakes couldn't stop it completely. Equally, rubber tyres for wheels were not invented till the 19th century, and they were solid, not pneumatic. Vehicles with rubber tyres tended not to have brake-blocks because they pulled the rubber off the wheels.
The idea of a "parking" brake didn't arrive until the advent of the internal combustion engine... a carriage you could turn off when you stopped. There are contemporary stories of coach teams being left unattended at inns, and taking fright or assuming a noise behind meant they were to start, galloping off with the coach with no driver at the reins... Horses require manpower, time and knowledge. Therefore - pretty please, authors - your characters driving a carriage can NOT abandon it at the roadside like a car, unless you want to plot a horrendous accident. You always need someone to take charge of the horses.
Terminology
If you've got to describe a carriage drive or even a ride, it probably pays not to be too clever. Even simple things are very easily got wrong! For instance, you all know reins are for steering, and probably that traces come back from the horses' neck-collars to pull the carriage... the difference between the two purposes may seem obvious, but I've seen a mainstream published novel confuse the two.
Coachmen and good drivers held the reins in their left hand in an understated, workmanlike English coaching style and steered by turning the wrist, or by helping with their right hand which also carried the whip. They wouldn't drive with a rein (or two reins) in each hand; not unless you want to set them up to be ridiculed by their fellow drivers. For sheer style, watch any video of a British Royal parade with coachman driven carriages... the 2011 Royal wedding, or Trooping the Colour.
There is a big difference between sporty owner-driven carriages like phaetons (yes, and gigs and curricles), and sober coachman-driven carriages like barouches. It's very easy to get lost in their subtleties. For instance: pole chains. They were used to steer and stop commercial coaches, carriages and coachman driven vehicles, while pole straps denoted owner driven private vehicles... Probably best not to go into it too deeply unless you are prepared to read specialist books. Even the sainted Ms Heyer occasionally got things wrong.
Phew - I'd better leave waggons and farm carts and commercial trade carts for another day.
Sex
There, that got your attention, didn't it? I saved the best bits for the end.
Don't forget we have three genders in horses who are used as transport. There's the intact adult male, the stallion; the female, the mare; and the gelding, who is an equine eunuch and was probably "attended to" fairly brutally at the age of 18 months or so. Most working horses were geldings, whose lack of sexual interest made them easy to manage even for inexperienced staff.
Mares are the natural leaders in a herd situation - so they can be bossy. If they aren't in foal they come into "season" every three weeks from early spring to late summer, which means they may be distracted as well. Stallions have a sex-drive that rises and falls with time of year - up in early spring and throughout the summer, down again as autumn comes. To deal with either stallions or mares successfully takes tact and good horsemanship. So please don't have your heroine ride a stallion, unless you can also write about how she manages him in the company of strange mares, who will flirt by peeing at him if they're in season and try to kick his teeth in if they aren't. (Don't you love how horses can be upfront and obvious? My two favourite Fell ponies have been mares.)
In Black Beauty Anna Sewell tactfully fails to mention such matters, so generations of readers may well have assumed that Beauty's lack of sexual commentary simply meant that he had excellent manners, and that he was capable of retiring to stud and begetting. This is, sadly, very unlikely.
One final note
A horse in war, in a carriage, hunting or doing any other kind of work will NOT neigh or whinny when in a stressful situation - eg, battle or accident. You may hear a snort of fright, or a grunt of pain or effort, then the sound of hooves galloping rapidly away. Unlike movie heroines, horses do not scream.
Sunday, September 30, 2012
The Bluffers' Guide to Horses & Carriages (part 1)
I've joined several forums for historical novelists recently while I've been completing COACHMAN. Reading some of their book previews on Amazon it has dawned on me that while historical novelists seem interested in being authentic about costume and weaponry, I've only found two who have any direct knowledge about horses, and one who understands carriages.
Given that until the start of Victoria's reign (or William IV if you are a Liverpudlian) the fastest means of transport anywhere was either a well bred horse or a well-horsed carriage, this seems rather strange. It's a bit like writing about modern London and not knowing that you can get your character across the city far more easily by Tube than by Ferrari.
Allow me to make some helpful information available!
Horses
Even for late medieval knights, war-horses were not huge beasts. (The modern Shire horse of 17 hands or more was developed for agricultural use, well after gunpowder put an end to the mounted armoured knight.) Ann Hyland proposes that the 15th C knight's "destrier" was likely to have been a sturdy cob type of about 15-2 hands. This type of horse was a "square gaited" animal who walked, trotted, cantered or galloped.
Horses for general riding were probably not taller than 15 hands, often smaller, and frequently they were "lateral gaited" or "soft gaited", which means they walked and cantered but their in-between gait was a pace, rack or amble, rather than a trot. All these were more comfortable than a trot; the pace is similar to that of a fast moving camel or giraffe, with the legs on each side moving at the same time (watch videos of harness-racing pacers). The amble was a rapid, level, shuffling movement. Over good going the rack, like the pace, could be quite fast. Horses that moved in this comfortable way were amblers or palfreys, popular mounts for both ladies and gentlemen.
Horses for racing or hunting were "coursers", ie running horses, who moved "square" like the knight's destrier; they trotted when not galloping, and even the racehorses were not large. Many early thoroughbreds were under 14 hands high.
A useful type from Shakespeare's time onward was the Galloway, originally a type from south-west Scotland. Later the term became a generic one (like Hoover for vacuum cleaner) for any sturdy, sensible small cob of 13 to 14-2 hands. They probably looked much like a Highland, Dales or Fell pony, though for practical reasons they probably didn't carry anywhere near as much hair on neck, tail or fetlocks ("foot locks") as their modern counterparts do.
Women travelling would have a choice of riding pillion behind husband or brother; rich ladies could ride side-saddle; or ride in a litter, which was a covered seat carried on 2 long poles, suspended either side of a horse before and behind.
Distances
Modern endurance horses ridden intelligently at suitable paces for the terrain can cover anything from 25 to 50 or even 100 miles in a day. This isn't just the racy Arabian types; I know a Fell pony that has completed a 100 miler in less than 18 hours. Bear in mind that the riders don't flog on at full gallop, which being anaerobic activity would rapidly exhaust the horses' energy; they go at the pace that suits the country they have to cover, and much of that is aerobic, steady trotting or cantering, with intervals of walk to allow the horse to have a breather.
Military dispatch riders galloped, of course, and covered short distances of 3 or 4 miles in a quarter of an hour (12 to 16 MPH); but ridden horses for civilian travellers over longer distances would average no more than 6 MPH, so a day's journey was probably no more than sixty miles and often much less if roads were bad. Working horses in a city were often forced to walk because of other traffic, and there were few highway regulations to ease their passage.
Unlike cars, horses do need recuperation time before they can reasonably be expected to make another journey. This involves them being groomed, fed with grain and hay, and given water to drink and a stall under shelter in which they can stand quietly and perhaps sleep - though horses can sleep standing up and tend only to lie down for short periods.
Part 2 will look at travelling by carriage and coach.
Given that until the start of Victoria's reign (or William IV if you are a Liverpudlian) the fastest means of transport anywhere was either a well bred horse or a well-horsed carriage, this seems rather strange. It's a bit like writing about modern London and not knowing that you can get your character across the city far more easily by Tube than by Ferrari.
Allow me to make some helpful information available!
Horses
Even for late medieval knights, war-horses were not huge beasts. (The modern Shire horse of 17 hands or more was developed for agricultural use, well after gunpowder put an end to the mounted armoured knight.) Ann Hyland proposes that the 15th C knight's "destrier" was likely to have been a sturdy cob type of about 15-2 hands. This type of horse was a "square gaited" animal who walked, trotted, cantered or galloped.
Horses for general riding were probably not taller than 15 hands, often smaller, and frequently they were "lateral gaited" or "soft gaited", which means they walked and cantered but their in-between gait was a pace, rack or amble, rather than a trot. All these were more comfortable than a trot; the pace is similar to that of a fast moving camel or giraffe, with the legs on each side moving at the same time (watch videos of harness-racing pacers). The amble was a rapid, level, shuffling movement. Over good going the rack, like the pace, could be quite fast. Horses that moved in this comfortable way were amblers or palfreys, popular mounts for both ladies and gentlemen.
Horses for racing or hunting were "coursers", ie running horses, who moved "square" like the knight's destrier; they trotted when not galloping, and even the racehorses were not large. Many early thoroughbreds were under 14 hands high.
A useful type from Shakespeare's time onward was the Galloway, originally a type from south-west Scotland. Later the term became a generic one (like Hoover for vacuum cleaner) for any sturdy, sensible small cob of 13 to 14-2 hands. They probably looked much like a Highland, Dales or Fell pony, though for practical reasons they probably didn't carry anywhere near as much hair on neck, tail or fetlocks ("foot locks") as their modern counterparts do.
Women travelling would have a choice of riding pillion behind husband or brother; rich ladies could ride side-saddle; or ride in a litter, which was a covered seat carried on 2 long poles, suspended either side of a horse before and behind.
Distances
Modern endurance horses ridden intelligently at suitable paces for the terrain can cover anything from 25 to 50 or even 100 miles in a day. This isn't just the racy Arabian types; I know a Fell pony that has completed a 100 miler in less than 18 hours. Bear in mind that the riders don't flog on at full gallop, which being anaerobic activity would rapidly exhaust the horses' energy; they go at the pace that suits the country they have to cover, and much of that is aerobic, steady trotting or cantering, with intervals of walk to allow the horse to have a breather.
Military dispatch riders galloped, of course, and covered short distances of 3 or 4 miles in a quarter of an hour (12 to 16 MPH); but ridden horses for civilian travellers over longer distances would average no more than 6 MPH, so a day's journey was probably no more than sixty miles and often much less if roads were bad. Working horses in a city were often forced to walk because of other traffic, and there were few highway regulations to ease their passage.
Unlike cars, horses do need recuperation time before they can reasonably be expected to make another journey. This involves them being groomed, fed with grain and hay, and given water to drink and a stall under shelter in which they can stand quietly and perhaps sleep - though horses can sleep standing up and tend only to lie down for short periods.
Part 2 will look at travelling by carriage and coach.
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